![]() “I’ve just been really looking forward to being able to do that. “I felt really emotional before we even started playing,” she says. “This is the crying show,” she jokes to the audience.Ī few days later, on a cool and rainy Melbourne afternoon, McMahon is rugged up in a black jumper. Later in the show she pauses again, wiping away a few tears. It’s also the first time they have been performed live, making it a clearly emotional night for her. Written during a period of turbulent mental health and self-reckoning, the new songs, such as the Bruce Springsteen-influenced Letting Go and the dark, twisted Mother Nature, sound cavernous in the small space. On this night, her set features plenty of old favourites – including breakthrough hit Slow Mover and the propulsive Keeping Time – but the purpose of this short theatre tour is to introduce McMahon’s highly anticipated second album, Light, Dark, Light Again. Musically, McMahon stretches from whispered, intimate folk to vast and reaching indie rock, but all her songs draw from the same well: vulnerable, direct, soul-baring. It’s a long-awaited return for the 29-year-old, who since breaking out in 2017 has become one of Australia’s most respected songwriters and in-demand performers, having sold-out shows across the country and secured support slots for some of the biggest artists in the world. Since breaking out in 2017, Angie McMahon has become one of Australia’s most respected songwriters and in-demand performers. Despite being a recent single, the crowd knows every word. McMahon begins to sing – her rich, clear voice filling every corner of the space. ![]() “That made me want to cry.”Ī few scattered shouts of “I love you!” burst forth from the crowd, before McMahon offered a respectful Acknowledgment of Country and the first clear notes of Fireball Whiskey rang out. “Thank you so much for being here,” McMahon told the crowd, voice barely hovering above a murmur. But it didn’t come, as the Melbourne songwriter stood silently behind the microphone, taking a moment to breathe it all in. The packed-out venue had fallen silent after the yells of welcome, waiting for the initial blast of guitar or kick drum. 8/10.Angie McMahon arrived on stage at Sydney’s Metro Theatre not with a bang, but with a whisper. Still, quite inferior to the original video by the group. However, be warned: this song does not play in the movie yet somehow it matches with the images presented. The video works in a way for you to discover and get to know the movie (a very funny one by the way) and toīe amazed with Jennifer's beauty and grace. There after closing hours and the obvious romance between them. The clips used here are the little introduction of the characters, then cut to one discovering the other at the mall where the man works and the girl simply stayed Where the young couple are trapped inside a shopping mall during late night hours. This take here presents a collage clips from the 1991 movie "Career Opportunities" starring Jennifer Connelly and Frank Whaley, a romantic/adeventure/comedy With those facts in mind, I wonder if IMDb accepts fan tributes for movies since this video is exactly that but made years before becoming a trend on the And that clip is the better one since it's actually the band performing it in a spectacular fashion almost as if being creaturesįrom outer space. Released in 1982 does have an entry here. I'm baffled that this non-official clip for the amazing and memorable "Space Age Love Song" by A Flock of Seagulls got a page in this place when the original clip
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